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Oni the Haitian Sensation's at African Poetry International Festival next Month

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Ghettostocracy by Oni the Haitian Sensation
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Published by bana2166- 09-10-07
news Oni the Haitian Sensation's at African Poetry International Festival next Month

December 14th, 2006
Ghettostocracy by Oni the Haitian Sensation
Poetry saved my life
Oni the Haitian Sensation's new title: Author
Ghettostocracy: Oni slams Ottawa with her first collection of poetry
"I was living in a war zone," says Oni. "Choppers were landing on my roof when I was trying to put my babies to bed. I don't even know how many times I was shot at, I was just in the wrong place at the wrong time. I was eight months pregnant when I had to crawl commando-style to escape crossfire."
Oni is recounting memories from her days living in a high-rise building in South Central Los Angeles in 1997. She was lured from her home in Ottawa to L.A. by the hope of a glamorous relationship. "I was expecting 90210, and I got 9-1-1," she jokes. "The dude I lived with threatened to kill me if I left. I escaped with my two babies, and one in my belly. I had one bag. I came back to Ottawa with nothing."
The pain of her experience prompted Oni to start writing again, something she had set aside for a few years when she first became a mom. "It set me free. It was cathartic and it gave me something to look forward to. Poetry saved my life." That poetry has finally been published in what is likely a first for Ottawa. As far as the XPress, Oni and the National Library and Archives were able to discover, the publication of Oni's first poetry collection, Ghettostocracy, makes the Haitian Sensation the first African-American woman to be published in Ottawa.
THE GODMOTHER OF CANADIAN SLAM
Oni became known around town as the Haitian Sensation for tying her poetry tightly to her ancestral roots. It's almost been 10 years since her L.A. days, but now, with her more recent notoriety
in slam poetry, she's starting to consider herself the "Godmother of Canadian Slam." The name arises from her accomplishments: She's been commissioned to write poetry for UNESCO, the CBC, Ottawa's Winterlude and the Bytown Museum, and she's also directed Canada's first National Poetry Slam as well as the Canadian Spoken Wordlympics. If these sound unfamiliar it's because slam poetry is relatively new to Canada.
Dating back to 1978 in Chicago, slam took its inspiration from professional boxing rings. Instead of fists, poets flung poems at one another, round after round, cheered on, heckled and sometimes booed by the audience, much in the same way as debates, turntable or freestyle (rap) battles are conducted. Nothing is off-limits in slam. Poets take on racism, sexism, religion, government, love and relationships. Slam is in your face, brutally honest, unafraid and intense. The adrenalin rush is addictive. It's that combination that fuels Oni: "I am hopelessly devoted to poetry," she admits about her craft.
GHETTOSTOCRACY
Oni's devotion to poetry has been her guiding light over the past decade, one that's been filled with her fair share of trials. Poetry solidified Oni's roots in Ottawa, led her around the world to the European slam poetry circuit, as well as a tour of Australia and the USA. Oni's passion for the spoken word was also the impetus for her first CD, called The Bedside Booty Book. However, her most outstanding achievement to date has been the recent publishing of Ghettostocracy.
From the bold Warhol-esque cover art by local photographer John W. MacDonald to the collection of poems, this debut publication is bold and gritty. Oni's mentor, University of Toronto professor and poet George Elliot Clarke, calls Ghettostocracy "an unforgettable book by an inimitable, drop-dead gorgeous artiste."
Unforgettable - completely. Ghettostocracy is the essence of Oni. It's sexy, fierce and angrily witty. Whether taking on "politricks" (politics), "the ghettostocracy" (ghetto nobility) or the men that owe her child support, Oni pulls no punches and apologizes to no one.
  #1  
By bana2166 on 09-10-07, 10:38 PM
news Zim to be part of Poetry Africa festival

Zim to be part of Poetry Africa festival
POETRY Africa International Festival to be held in Durban South Africa next month will include a special package for Zimbabwe.
The package, titled Hello Zimbabwe, features Chirikure Chirikure, Comrade Fatso and Chiwoniso Maraire who will be part of 20 other poets drawn from 10 countries.
Now in its eleventh year, Poetry Africa, which takes place from October 1 to 6, will be hosted by the University of KwaZulu-Natal’s Centre for Creative Arts.
The event will open with a series of pre-festival performances at Flavours of Durban, a Celebrate Durban initiative on September 29 and at the Awesome Africa Music Festival at Midmar Dam on September 30.
Other participants are Stanley Onjezani Kenani (Malawi), whose poetry encompasses the rhythm of African life in a mesh of metaphors, folklore and song; Senegalese poet and arts activist Habib Demba Fall; and theatre practitioner Keamogetsi Joseph Molapong (Namibia), whose incisive poetry critiques the harsh inequities of post-independence Namibian society.
The eclectic mix of poetic voices, styles, forms and cultures includes the nuanced verse of acclaimed writer, theatre and film director/producer, Nathalie Handal and the visceral power of Oni the Haitian Sensation whose colourful poetry focuses significantly on social concerns and sexuality.
The strong musical thread in this year’s Poetry Africa incorporates the uniquely resonant voice and maloya blues of musician and poet Danyel Waro (Reunion) in his long-awaited first visit to South Africa, and accompanied by group members playing island percussion.
With a string of poetry awards to her credit the prolific young Korean-American Ishle, has been described as "brilliant, fiery, intelligent, raw, funny" and she too, with guitar, brings a musical approach to the performance of her poetry.
From East Africa comes the dynamic Kenyan poet and spoken-word theatre artist, Shailja Patel, whose show Migritude has played to packed houses and standing ovations since it was launched in December 2006.
The diverse array of South African poets at the core of Poetry Africa include respected poet and playwright Angifi Dladla, whose hard-hitting and complex poems have been published widely both locally and internationally, and the equally established Arja Salafranca, whose lucid poetry offers us intimate glances into intensely personal worlds.
The multi-talented Napo Masheane, currently enjoying great success and acclaim with her play "My Bum Is Genetic, Deal with It" and Haidee Kruger, a poet of startling technical ability and lyrical finesse, in addition to gracing the Poetry Africa stages, will both be launching their poetry collections at the festival.
The festival lineup also presents the evocative and provocative poetry of television writer and stage actress, Phillippa Yaa de Villiers; Danie Marais, whose stunning debut poetry collection In die buitenste ruimte (2006) has been awarded the Eugène Marais Prize, the UJ Debut Prize and the Ingrid Jonker Prize; and Durbanite Syd Kitchen, whose success as a musician should not overshadow his prowess as a poet. Kitchen published a cult-hit poetry collection in the 80s, and has "four more in the oven".
Other Durban participants include versatile young poet and theatre actor/dancer Zorro, and Mphutlane wa Bofelo who, eschewing the American slam stylistic and thematic template, twice won Poetry Africa’s Durban Slamjam title.
The festival also includes special guest appearances by poetry luminaries Dennis Brutus, Keorapetse Kgositsile, Ari Sitas, and Kobus Moolman.
Special festival components include a focus on local Durban poets and the promotion of indigenous literature.
Saturday the 6th sees a full day of activities at the BAT Centre, which includes poetry workshops, open microphone opportunities, a special focus on praise poetry entitled ‘Emkhathini neziMbongi choreographed by local poet Miracle, and the Durban SlamJam, all culminating with the Festival Finale on Saturday night.
The Finale begins with the Durban Poetry Showcase, a collaborative platform that incorporates the talents of poets from numerous active poetry organisations in the city, including Live Poets Society, Keen Arts, Nowadayz Poets, Young Basadzi, Poets Corner, and Pour a Tree.
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